Art Papers, January 2012, review of Adrian Kellard: The Learned Art of Compassion, Museum of Contemporary Religious Art.
Art in America, December 2011, review of David Noonan, Contemporary Art Museum St. Louis.
Art Papers, September 2011, review of Wonder Koch & Eliza Newman-Saul’s What’s the Use?, Snowflake Gallery.
Catalogue essay for Lisa Bulawsky’s Four Chapters in the Present We Were.
Graphic Impressions, SGC International Newsletter, Summer 2011, “Anyway Autobiography Is Easy Like It or Not Autobiography Is Easy for Any One And So This Is to Be Everybody’s Autobiography,” essay for Everybody’s Autobiography exhibition.
Art Papers, July 2011, review of Cosima von Bonin: Character Appropriation, Mildred Lane Kemper Art Museum.
Art Papers, May 2011, review of Jessica Stockholder’s Grab grassy this moment your I’s, Laumeier Sculpture Park.
TAR Magazine, Spring 2011, “The Grave is a Fine and Private Place,” essay accompanying Aurel Schmidt’s “Voodoo Dolls.”
Everybody’s Autobiography:Robert Gober and Kerry James Marshall, SGC International Curated Exhibition at COCA, March 17-April 24, 2011.
All of This And Nothing, Saint Louis Artists’ Guild, November 12, 2010-January 7, 2011.
Thomas Lanigan-Schmidt: The True Praxis of Dotty Page, Willy Nilly & the Book of Roof, Read Daily by Savant in the Cathedral of St. Anamnesis, & the Sacred Dentures of Emma Street, the Front Room at the Contemporary Art Museum St. Louis, April 30-May 23, 2010.